以下参考译文使用的是机器翻译，因此可能不完全准确
一块面积近 2 公顷的地块和靠近涅里斯河的一座巨大的房子......房子的个人设计方案获得了无数奖项，可以称为非时间性。室内设计中的整体混凝土墙和天花板是建筑物的主要支撑结构。混凝土浇筑后拆除的木材模板的粗糙纹理已成为房屋中大多数房屋的关键元素。此外，还有许多表面平整的透明玻璃结构。此外，从二楼看，整个游泳池区域都可以看到游泳池蓝色水的倒影。客厅有一个功能性灯具，它固定在房间的整个长度的天花板上，从而营造出身处照相馆或拍摄地点的感觉，因为它有一些聚光灯可以引导光线并照亮所需的点– 餐桌或休闲区。室内设计中使用了大量橡木：二楼楼梯的墙壁、二楼的地板、二楼的巨大厨房家具、衣柜和门都使用了橡木。后者的表面略显粗糙，仿佛是由未刨光的板材制成的。现代“隐形”家具，或者更准确地说，它的缺失强化了粗犷极简主义的印象。衣柜看起来像大木箱，没有把手或铰链。重点放在更重要的事情上——天然材料的本质美。原创艺术作品在他们的背景中脱颖而出：康斯坦丁纳斯·扎尔达莱维丘斯 (Konstantinas Žardalevičius) 的三联画和 Tadas Vincaitis-Ploogas 制作的二楼儿童房中的石墨作品。这些勇敢而富有启发性的解决方案是有机的，与自然和谐相处。通过在室内和室外设计中使用玻璃，保留了与自然环境的联系。
A land plot with the area of almost 2 ha and a monumental house near the Neris river... An individual design plan of the house has received numerous awards and could be called atemporal. The monolithic concrete walls and ceiling featured in the interior design are the main supporting structures of the building. The rugged texture of timber shuttering which was removed after the concrete was poured has become the key element in most of the premises in the house. In addition, there are many transparent glass structures with an even surface. Moreover, the reflections of the blue water of the swimming pool can be seen throughout the swimming pool area when looking from the second floor. The living room has a functional light fitting which is fixed to the ceiling across the entire length of the room thus creating the feeling of being in a photo studio or a filming location because it has a few spotlights that direct the light and illuminate the desired point – the dining table or the relaxation area. There is plenty of oak in the interior design: it has been used for the walls of the staircase on the second floor, for the flooring of the second floor, the monumental kitchen furniture and wardrobes and doors on the second floor. The surface of the latter is slightly rough as if made of non-planed boards. The impression of rough minimalism is reinforced by modern “invisible” furniture or, to be more precise, its absence. Wardrobes look like big wooden boxes and have no handles or hinges. The focus is put on more important things – the essential beauty of natural materials. Original pieces of art come to the forefront in their background: a triptych by Konstantinas Žardalevičius and a work of graphiti in the child’s room on the second floor made by Tadas Vincaitis-Ploogas. These brave and suggestive solutions are organic and come in harmony with nature. The connection with natural environment is retained through the use of glass in the interior as well as exterior design.
