作为尊贵的马其顿和罗马尼亚Mocioni家族遗留在巴纳特（Banat）地区的建筑遗产之代表，Căpâlnaș乡郊地产在今天仍向世界诉说着这个大家族所带来的福祉及其重要性。其宫殿作为整个地产的重要组成部分，是维也纳建筑师奥托·瓦格纳（Otto Wagner）的首批作品之一。此地产按照凡尔赛宫小特里亚农别墅（Little Trianon）的房型进行设计，极具典雅，宫殿建筑周边建有植物园公园并由各种附属设施提供服务，以此打造完成Mocioni地产——它是19世纪罗马尼亚市外空间中最杰出的贵族地产之一。
罗马尼亚Arad County阿拉德房产的该地产坐落于占地8公顷的公园的中心位置，宏伟的宫殿轮廓从公共空间中脱颖而出，并在入口的即可远观看到全景——入口即是一条被树木包围的美丽小巷。这标志着奥托·瓦格纳创作的第一阶段——分离风格项目的先驱时期——这将使维也纳建筑师的作品神圣不可侵犯——Mocioni宫是在古典主义折衷主义精神下建造的，其灵感来自凡尔赛宫的小特里亚农模型。建筑体量的设计体现了该建筑项目发展的时代和空间特征：紧凑、令人印象深刻，但又不失优雅。宫殿的建筑属性相当典型——轴心、对称、节奏、高贵表达、尊贵等级——这些都被用来标榜所有者的高贵地位。
宫殿的内部构造逻辑位于其功能规划中心——图书馆大厅，该大厅是奥匈帝国最有价值的私人图书馆之一。该房间位于建筑物的重心地带，并在地板和屋顶上覆盖着两盏重叠的灯，保证了其极佳的采光效果。在一楼，图书馆前面是一个荣誉大厅和公园入口，通过垂直流通节点，由一个令人印象深刻的楼梯主导控制。楼上，在图书馆的房间上方及在第一个采光井周围，设有一个服务于各种周边休息室的球场。
罗马尼亚Arad County阿拉德房产的这处地产对内部装饰极尽关注。需要引起注意的内饰包括：饰面的颜色、所用材料的质量、丰富的装饰元素以及微妙的塑料配件。为数不多的灯具、实木家具和仍保存完好的壁炉，证明了这座贵族住宅在其鼎盛时期的奢华形象。
公园作为现代都市外贵族住宅不可或缺的附属品，在宫殿周围得到加强，既强调了宫殿作为主要建筑对象的地位，也达到了这些建筑的娱乐消遣功能。位于Căpâlnaș的Mocioni家族植物园由两个独特的景观区域巧妙结合而成。首先是一个具有新古典主义特色的半公共花园，与宫殿的建筑风格相协调，在其附近开发完成，包括两个获奖庭院；在建筑的主要入口之前种植有稀有的精华树。
第二个区域则具有私密性，设计风格浪漫，拥有丰富的植被、蜿蜒的小巷和风景优美的小溪，并远离Teleki家族丧葬纪念碑所在的公共空间。
An exponent of the architectural heritage left in the Banat area by the noble Macedonian Rumanian Mocioni family, the Căpâlnaș ensemble still talks today about the well-being and importance of this great family. The palace, a key component of the whole ensemble, is one of the first projects of the Viennese architect Otto Wagner. Designed with elegance, following the model of the Little Trianon in Versailles, the palace building is highlighted by the surrounding arboretum park and is served by the various annexes, forming thus the Mocioni ensemble of Căpâlnăş, one of the most remarkable noble ensembles of the nineteenth century in the Romanian extra-urban space.
Located in the heart of the 8-hectares park, the imposing silhouette of the palace stands out from the public space as being the perspective head of access - a beautiful alley bordered by trees. Marking the first stage of Otto Wagner's creation - the precursor period of the Secession style projects - that will consecrate the work of the Viennese architect - the Mocioni palace is built in a classicist eclectic spirit, inspired by the Little Trianon model of Versailles. The volume of the building is designed in a manner that is characteristic of the era and space of development of this architectural program, being compact and impressive, but not without grace. The architectural attributes of the palace are typically classical - axiality, symmetry, rhythm, registers, hierarchy - being used to talk about the noble status of the owners.
The interior constructive logic of the palace has at the functional scheme centre the library's hall, which hosted one of the most valuable private libraries of the Austro-Hungarian Empire. This room is located at the centre of gravity of the level of the building's ironing level and is covered, at the level of the floor and the roof, with two overlapping lights, which guarantee the need for natural light. At the ground floor, the library is preceded towards the main access by an honour hall and at the access from the park, by the vertical circulation node, dominated by an impressive staircase. Upstairs, above the library's room and around the first light well, there is a coursive that serves the various perimeter lounges.
From the point of view of treating the interior, a particular attention is paid to it. It is to be noticed the finishing’s colours play, the quality of the materials used, the richness of the decorative elements and the plastic subtlety of the accessories. The few lighting fixtures, the solid wood furniture and the still-preserved fireplaces attest the sumptuous image of the noble residence from its apogee era.
The park, an indispensable accessory for the modern extra-urban noble residence, is enhanced around the palace, both with the role of emphasizing the palace as a dominant architectural object, as well as completing the loisir function of these ensembles. The arboretum park of the Mocioni family in Căpâlnăş is composed from the ingenious articulation of two distinct landscaping areas. First, a semi-public garden of neoclassic feature, harmonized with the architectural style of the palace, is developed in its immediate vicinity and consists of two courtyards of honour that precede the main accesses in the building, planted with rare essences trees.
The second area, with a private character and designed in a romantic style, features abundant vegetation, sinuous alleys and a landscaped brook, and is far from the public space where it houses the funerary monuments of the Teleki family.
